An enigmatic figure in the early days of the California art scene, Cameron (1922-1995) was a visionary painter, draftsman, actress and poet who bridged the spiritual and artistic counter cultures flourishing in Los Angeles and Hollywood.  After a stint in the navy as a cartographer, she returned to California and became the wife and spiritual avatar of Jack Parsons, a founder of the Jet Propulsion Laboratory and an influential leader of the philosophical group Ordo Temple Orientis.  Cameron's art and lifestyle were influenced by her relationship to Parsons who died six years after their 1946 marriage.   Parson's death had a profound effect on Cameron, and in the late 1950's, she destroyed much of her work.

Cameron was a mentor and friend to artist Wallace Berman who became enthralled with her artwork, poetry, and mystical persona.  In 1955, Berman published a photograph of Cameron on the cover of his journal Semina along with an image of her drawing Peyote Vision, 1955 which is included in our current exhibition. Depicting a serpent-tongued woman in a sex act with an alien being, an image of the work was also incorporated in Berman's exhibition at the legendary Ferus Gallery in 1957.   Deemed "lewd" by the Los Angeles Police Department, the drawing resulted in the temporary closing of the gallery when Berman was arrested for obscenity, tried and found guilty.  After the incident, Cameron refused to show her art in commercial galleries, further cementing her role as an underground avant garde mystic.  As an actress, Cameron played the Scarlett Woman in Kenneth Anger's Inauguration of the Pleasure Dome (1956), and Curtis Herrington documented her role as a visual artist in a short film entitled The Wormwood Star (1955). 

With a brief sojourn in Santa Fe in the late 1960s, Cameron spent her last decades in a small house in West Hollywood. In 1989 Cameron co-edited with O.T.O. leader Hymenaeus Beta an edition of the occult writings of Parsons. Also that year, Cameron's artworks were surveyed in an exhibition at the Los Angeles Municipal Art Gallery curated by Edward Leffingwell. Titled The Pearl of Reprisal, that exhibition included watercolor, ink, and casein drawings from the series Anatomy of Madness (1956) and Pluto Transiting the Twelfth House (1978-1986). 

A major solo exhibition of the artist’s work, Cameron: Songs for the Witch Woman, was organized by MOCA Pacific Design Center, Los Angeles, in 2014.  Past group shows include Sci-Fi, Magick, Queer L.A., USC Fisher Museum, Los Angeles (2024); Of Mythic Worlds: Works from the Distant Past through the Present, The Drawing Center, New York (2023); Drawing Down the Moon, Hammer Museum, Los Angeles (2022); PACIFIC STANDARD TIME: Crosscurrents in L.A. Painting and Sculpture 1950-1970, The Getty Museum, Los Angeles (2011); Traces du Sacré, Centre Pompidou, Paris (2008); Semina Culture: Wallace Berman and His Circle, Santa Monica Museum of Art (2005); and Beat Culture and the New America 1950-1956, Whitney Museum of American Art, New York (1996).

In 2026, Cameron's work will be included in the exhibitions, A Queer Arcana: Art, Magic, and Spirit at the Palm Springs Art Museum (March 28, 2026-October 18, 2026) and Tarot! Renaissance Symbols, Modern Visions at the Morgan Library & Museum (June 26-October 4, 2026).